The Cinematic World of Culinary & Culture

S oylent Green is the "modern-day" Film Noir that forces its audience to truly understand the importance of how we should cherish the aspects of life that we take for granted - such as the abundance of various types of food, clean, running water, a vibrant ecosystem, and comfortable living spaces- through a futuristic, dystopian lens. As I watched this film, I felt as though the director (Richard Fleischer) used "soylent green" as a symbol and a warning for our planet's future.    Of course, the immediate message one can take away from watching this movie is that if we do not find a solution to fix climate change, pollution, and overpopulation soon, we will see ourselves in a similar fate as the citizens in Soylent Green . But I found myself interpreting a different message. I felt as though the symbolism behind the physical soylent green was referring more to our humanity towards each other. Soylent Green, a dry, brittle, perfectly manufactured, manmade

A fter watching the first 10 minutes of Mostly Martha , I knew that this movie would focus on 3 types of Love: Love for Self, Romantic Love, and lastly, Familial Love. And it is because of these 3 aspects that help guide Martha Klein on the journey of becoming a better person by the end of the film. When we first see Martha, we see that she is in a therapist's office talking about her signature dish, roasted pigeon with a side of ravioli and truffles. She's there, not because of her own volition, but because her boss would fire her if she didn't. Although she doesn't blatantly tell the audience about herself, this exchange actually teaches us about how Martha's brain works. She perceives life through recipes; clear and orderly steps. If we use Martha's mentality, we see that she concludes that her rigidness, arrogance, passion, obsession, and lack of social life are the factors that ensure that her meals are perfect. So, of course, no type of love is apart of th

When watching  Babette's Feast , it's hard to ignore the religious overtones of the film. The entire plot revolves around how the power of religion impacts a remote town in Jutland, Denmark in the late 19 th century. It is also easy to note how significant and dynamic the relationship between religion and food is throughout  Babette's Feast,  especially during the second half. The first 30 minutes on the film focuses more on the religious aspect and the sisters’ influence on the town. The town is strictly devoted to the principles of the Lutheran faith and the memory of its Minister. And because of these principles, the town’s people live simple, secluded, and somewhat repressed lives. Both their love and fear of God inhibit them from trying anything new because, in their minds, anything different is seen by God as sinful. So Martine & Fillipa lead their people -with a hive mind mentality- to focus on loving the lord and the simple joys of life (since the lord teac

    I have always had a love for learning about different cultures. Because I grew up in a community that was not very diverse, I always yearned to understand the cultures and lifestyles of the communities that I was never exposed to as a child. And because of that yearning, I've always wanted to travel, learn about, and experience as many different cultures as I can (even if I can't always travel to those places). It’s amazing to think that the building blocks of our society are made up of so many variables like body language, aesthetics, beliefs, folklore, the arts and, of course, food. If there were a World Cultures major or minor here at McDaniel, I would sign up in a heartbeat. I’ve taken  The French-Speaking World  class and the  Asian Approaches to Acting  class and loved it. So naturally, I had to sign up for the class that had both cinematic & cultural aspects.          Although I haven’t watched many food movies, a food film that I really enjoyed was  Le Bo